FIN: Tokyo rain - NutsPlanet Agent Aida (1/35)

by Andy

Hello everyone,


It's Andy, again. Today, I want to show to you my finished project “Tokyo rain”.


First ideas - Street fashion

The miniature is from NutsPlanet called Agent Aida (1/35). As soon as I saw her, I had a scene of street fashion walking on the pavement in mind. Of course, the pistol in her right hand was too much, so I decided to cut it away and did a slight repositioning of the fingers of the right hand.

I started the project with priming black and white and some Grisaille underpainting. To get the first impression of my idea, I tinted the different parts with GW Contrast paints. 


Refining the idea – Tokyo by night

The plan was to finish the lady at the MV-Family-Meeting from this point on in a cool comic style with bold black shadows.


At some point during the Meeting, Roman came up with the idea of a strong atmospheric light to create an additional punch and I really appreciated the input. The idea of rainy Tokyo with all the neon lights arose. Just google „Tokyo rain“ and you’ll see it :)


To paint such strong athmospheric OSL effect, I usually start with a darker tone and continuously define the effect with increasingly brighter tones the closer I get to my imagined light source.

The easiest way to do that is with an airbrush. Grab your color of choice, dilute it to have more control about the opacity and shoot it from your preferred angle, just as simple as that. 

With a brush it’s a bit more challenging but also doable – paint a small mark at your base in the preferred angle to save the perspective and touch every surface visible from this angle with the color of your choice.


   

Tokyo Nights – in the rain

Working on the OSL and neon atmosphere I had another idea to make the project a bit more interesting. How about adding rain to the scene? The effect of raindrops was on my bucket list of things to try for years and this was the perfect project for it. I painted some circles on the ground and used the icicles tutorial to create the water-drops. 


Final results

And here are the pictures of the final results.










Thanks for reading and your interest. Feel invited to comment in the section below.

Andy

On the pressure and anxiety before shows

by Hansrainer

Hi Jungle folks,

Todays article is in a way a continuation of my last, an application of the principles on one hand, but also an honest share of what‘s on my mind before a show. Mostly its probably a soul strip to help me find my own way through sharing and structuring my thoughts.

I share this because a) writing it down helps me thinking it through and b) because it might resonate with some of you out there. Those of you that feel equally like beginners, mediocre and struggling and not sure if they belong. 


It started as a short burst of thoughts and ideas that go through my head as I gear up for SMC in two weeks. Even monte is only about a month away and I have barely touched a brush for the last 3 months - mostly for family reasons and because lots of non-painting stuff had to be worked through - but there are always reasons, right? As I am looking at the pre-registration for SMC and what I would like to bring, I realize I have little to show for the last 12 months. Mostly some gaming pieces, certainly nothing worth bringing to a show. 

One of the pervasive elements of the last years was that I started to paint for shows, instead of painting for myself (at least when I don‘t just slap paint on gaming pieces). I really enjoy going to the bigger and smaller painting related shows like WME, SMC, the Duke of Bavaria back when it existed and since last year, Monte San Savino has become probably my favorite event to look forward to.

But, still being in the lower standard ranks of painters (at least if the results of the contests can be trusted), it always feels like my theoretical knowledge and ambitions transcend my actual skill with the brush by far. I FEEL like I could be much better than I am - I see more, understand more and can read more in miniatures than I can feasibly create myself. And that puts me under a great pressure: I feel like I have to create better works in order to exhibit - and I feel that if I cannot show improvement, can get a better medal - deserve a better medal - that I have failed to validate my right to belong to the community. 

On average and in the top levels, the world of miniature painting has improved in bounds and leaps just within the last decade since I joined it. If we look back further, we can see that this holds true for a much longer time frame - arguable more than two decades now. New painters join the fray every year, gain recognition, become part of the crowd. And sometimes that feels like a threat - the community used to be smaller, it used to be easier to feel like belonging. 

It is still a world full of wonderful ( and with overwhelming majority  extremely nice) people. However, like in every other community, fame plays a role - and fame is distributed in a meritocratic way - at least meritocracy is a big element. That can lead to a sometimes sad, sometimes exciting spiral, especially for the hobby painter who comes late to the game and can only devote a limited amount of time & energy (but a seemingly endless amount of passion) to the arts: On one hand, you want to belong - and you can - even just on a mediocre, passion-driven base - on the other hand, to earn a seat at the table you have to deliver. To deserve a seat at the table, you need to be a good painter, a great artist or have other redeeming qualities - and if you don‘t, if I don‘t - what am I doing here? So far for the exposition of my situation - maybe you can relate, maybe you can‘t. But in light of my last article, this can be a starting point to work through things, sometimes it takes the push to write an article to do it myself:  

  • Obviously my inner Diva wants to be awesome - I want to be recognized for the brilliant mind I have, for the great ideas and personality I bring (or wish I brought) to the table.

  • But at the same time, the Judge sees this for the hubris it probably is, tells me that nothing I can cobble together in the evenings of the remaining two weeks will amount to anything worthwhile. If I put it in exhibition, it‘ll likely not even suffice for a bronze in standard and in the end, what remains will be that my worst fears of mediocrity will be substantiated and revealed for all to see: That I can‘t really create a piece of art worthy of recognition. I‘ve been a failure for not pushing myself throughout the year and now I reap the reward.

  • The taskmaster tells me, that going there without exhibiting means I don‘t belong. If I don’t make it on the stage and get a medal I obviously don‘t belong. I spent the evenings of the last two months doing all kinds of things to avoid working on my pieces, probably even this writeup - technically its 6:30 in the morning now, but yeah… On the plus side, my office/studio looks better than ever before and everything is sooooo ready for painting that next year I‘ll be ready to rock the world ;)

Thinking these things through alone doesn‘t make me start painting, but confronting and analyzing my fears allows me to at least see what I am afraid of, instead of leaving me with the queasy, undefined churning in my gut when I think about SMC and Monte, while I feel I should be excited. It allows me to be excited again to meet many friends, maybe make some new friends, enjoy the art others created and I‘ll bring to the table what I can. 

If its a medal in the end, I‘ll be relieved. If not, I‘ll survive. Some would probably write some encouragement like „you always belong“ - „It’s only fear“ - but fear is real and the worry of estrangement and rejection is too. If you go out there and present yourself, you can get hurt. If you enter a contest and don‘t get the medal, it hurts. If you post on insta and don‘t get a like - it hurts. And there is no way around it: 

Everyone who gets the recognition, gets the gold, gets the likes has put in the work and maybe also got a bit lucky. And they went out there and took the risk. If you didn‘t put the work in, don‘t expect the results - but that doesn‘t mean you can’t enjoy the show and the company. That you can‘t belong to your friends and colleagues, relate to others, talk about the things we all enjoy: Paints, colors, techniques, emotions, styles and tiny busts and figurines. 

If you don’t expose yourself - you wont get hurt. But you also can’t get surprised and most certainly can’t be seen. I hope to see many of your works - see it in standard, beginner, master. I hope I am going to be touched by raw creativity and poor execution, amazing craft and perfection, a combination of both. Pieces that wow you from yards away and pieces of sublime and subtle beauty that take a while to discover. Please expose yourself and bring your stuff. Being there means you belong to the community - maybe not the top tables, but you’re there to be seen.

Talk to your inner parts, be honest with them and manage your expectations - the Diva has resigned now to the fact that we will just be valued on what we bring - and that has to suffice. The Judge is appeased as we don‘t expect the unexpectable and accept the verdict of realism and the Taskmaster tells me to stop procrastinating and get back to my brush - two weeks to go now… Hope to see you in Eindhoven or Monte…

P.S.: Please let me know if this kind of introspective is of any use for you as a reader.
I would be happy to know if you can relate, be comforted that others feel the same or such. 

2023 Massive Voodoo ORCtober - Orc Grandma

by momogojira

Hey everyone and welcome to this year's Massive Voodoo Orctober Challenge! If you missed the announcement last month, I’m Momo, a digital sculptor and new member of the jungle family!

I’m super excited to be part of the crew and as a little initiation treat, I brought you all something! For this year’s Orctober, I prepared a special orc figure! I hope you are all sick of big boobed beasts and axe swinging monsters, because this one will be a bit different. 


ORC GRANDMA - THE IDEA

I’m a big fan of miniatures that are expressive, evoke a certain emotion and are different from the classic tabletop minis you see all the time. Lucas Pina and Daniele Found for example are brilliant at doing exactly that. Orcs are cool, but have you ever seen a miniature orc that is not wielding his weapon, looking grim, ready for battle? Don't they have anything else to do all day? I bet they do! And what happens when they retire from all that skull smashing, eyeball stabbing and blood bathing? Maybe, just maybe, they sit in a cozy chair, knitting away with their pet kitten snoozing behind them. And all the war worries are far away...





This was the idea for my ‘Orc Grandma’. Not that battling, angry orcs aren’t great! But once in a while a little change of scenery is a nice refresher. So if you’re looking to change it up a bit and you’re ready for a cozy fall painting session, this might be just the Orctober project for you!

HOW TO JOIN THE CHALLENGE So how can you join the #MVorctober challenge 2023? Just follow these steps:


  1. Paint ANY ORC miniature

  2. Send TWO PHOTOS of your finished project to david@massivevoodoo.com

  3. We will announce the winner of our RAFFLE in November


Easy-peasy! You don’t have to paint my orc grandma to enter the challenge, any orc will do! We will raffle the winner among all entries, it’s not a contest! Anyone can join, whether you’re a beginner or a pro, it doesn’t matter. We want to encourage you to paint for the joy of painting’s sake (and of course for a chance to win a little prize ;) )


Feel free to tag us in your Instagram posts under the hashtag
#MVorctober! We would love to see all your creative entries! Have fun painting!!


 
WHAT’S IN IT FOR ME?

Kallax photo setup - the most handy photobox!?!

by Andy

Hello everyone,


It's Andy, again. Today, I want to give you an overview and “how to” tutorial of my current photo setup. The idea was to build an easy-to-use, quick set-up photo box suitable for fast WIP shots and final pictures.


To be honest, the main reason I didn’t use my “standard photo tent” that often in the past was the set-up time, the need to clean up my desk to have enough space and the inconsistent lighting.

I have been thinking back and forth about this topic over the last years and the solution was in front of my eyes all the time with the IKEA "Kallax" cupboard, which is probably one of – if not the - most-often sold cupboards in the world. The squares are perfect for a photo setup with fixed conditions, but the concept of the photo box should be possible to realize with any other cupboard and boxes as well, but I’m just an IKEA-addict when it comes to hobby furniture ;)

Things you need (links as example and not paid):


Optional equipment


My jungle brother Hansrainer came up with the idea of a ring light for quick pictures and I adapted it for the Kallax project. A 12-inch ring light is the largest suitable for one of the square spaces.

Samla boxes in general do not fit the Kallax well but for our project they are perfect because they create a nice little niche on top and to the side to store the ring light.


This is how the whole setup looks like in the stored position. The whole assembly as seen in the picture above is very simple – clamp attached to light and shelf, nothing special here. The optional turntable can be stored on top of the box.


The modifications to the shelf can be seen without the boxes. In the picture you’ll see the backdrop in the storing position pushed upwards between Kallax and the wall and the ring light stored to the side to have space for the boxes.

The black foil is attached on each side and on the ceiling to avoid unwanted light reflection. I first measured the size of the walls, then cut the foil with a bit of extension to have a little room for failure. The installation of the adhesive foil is done step by step by taking away a small piece of the protection layer on the back, starting the attaching process by adjusting it to the wall as straight as possible on one edge (I recommend the back), pushing with a straight round-edge cardboard or plastic lid to get rid of air bubble and working the way to the end of your layer. The last step is cutting away the extension. There are plenty of YouTube tutorials of wrapping with foil if you want a detailed explanation ;)



In the shooting position it’s super clean and easy to use. I recommend attaching the clamp in the middle of the shelf to have stiff hold for your mobile and lamp. Adjust the angle of the lamp and phone (or camera) to your preference – for me it’s a bit tilted from the top.

As a base, I use some black caps from spray cans or wooden sockets. Recommendation is black, white or gray to avoid tinted reflections from the bottom. Just play around which suits best for you.



Now that you know how I built it – you will wonder whether the whole set-up actually can fulfil its goal: to reduce the time and hassle of setting up the photo equipment. So, here are the results of a little experiment: I stopped the time it took me to set-up and store the photo box.

The pic to the left shows the time it took me to set up the photobox, the pic on the right shows the time to store it away. Both setting up and storing the stuff took me less than a minute! – I’d say: “mission accomplished”:D


The box in action

Here are two examples of photos taken with the photo set-up and lightroom app.


Both miniatures will be featured in detailed posts - stay tuned ;)

Thanks for reading and your interest and leave a comment below if you have any questions.

Andy

Announcement: The 2023 Massive Voodoo ORCtober

by David

Hey all,


it's that time of the year, again! Summer is gone and Fall is starting to paint the leaves with its reddish-golden color scheme - and the Massive Voodoo jungle is diving heads-first into ORCtober!

And, boy, do we have a special treat for you this year!


To celebrate her adoption by the pack, our newest Massive Voodoo family member Momo has sculpted a special, exclusive ORCtober figure. We don't want to spoiler too much just yet, but here's a little teaser pic:


We want YOU for MV ORCtober


Of course, there can't be a Massive Voodoo ORCtober without a little community challenge. We will not say too much at this point, keeping the suspense up for juuuust a little bit longer... But on ORCtober 1st, 2023 we will let the cat out of the bag and unveil Momo's special, exclusive ORCtober figure - and tell you how YOU can join in the madness.

So, make sure to make time for some miniature painting over the next few weeks, and stay tuned for the next update on the 2023 Massive Voodoo ORCtober! And of course, feel free to spread the word and stoke the hype through your social media, using the hashtag #MVorctober.

The Massive Voodoo team

MV Team: Momo

by momogojira



Name:
Momo
 

Job: Digital Sculptor  

Painting: Painting since 2018ish

Sculpting: Sculpting since 2015

Painting Media: Acrylics

(Digital) Sculpting Media: Zbrush, 3dsMax, Blender

Brushes: Whatever I can get my hands on

Airbrush: Harder & Steenbeck Infinity (still learning)

Miniatures: Animals, Dinosaurs, Fantasy

Inspirational Miniature Painter: Karol Rudyk, Roman Lappat, Josua Lai, Arnau Lazaro

Inspirational Sculptors: Simon Lee (aka Spiderzero), Beth Cavener, Tomek Radziewicz, Sean Cooper (Paleocraft), Nick Bibby, David Zhou

Gallery: Artstation, Instagram


Hi everyone! My name is Momo and I’m over the moon to have been adopted by the amazing Massive Voodoo family! I’m currently living in a small town in Bavaria, together with my dog and my two geckos :)

My sculpting journey began when I started studying Games Art in Munich and I was introduced to ZBrush in 2013. I wanna say I was immediately hooked, but truth is it took a little detour to fall back in love with sculpting...After my studies I started working at a media agency and noticed that something was missing. This time I made a point of really focussing on sculpting digitally and many hours of practice went in after work and on my weekends, because I knew that it was my real passion. I made the jump to working as a freelancer, and although there have been some hard times I never looked back. Now I’m grateful to be able to work with companies like Schleich and many lovely private customers. I also have my own little Etsy shop that I’m gradually growing. My favorite subject to sculpt is also my biggest love in life - animals! Reptiles, amphibians, dinosaurs and horses are the ones I probably love to create the most. Here are some examples of my sculpts: 


 







 

So how did I get in touch with Massive Voodoo? A few years ago, I saw Josua's amazing art on Instagram and we got talking. A while later he introduced me to Roman and we met for a painting session. That’s how I discovered the wonderful world of miniature painting! Roman has taught me a huge amount of useful things about painting and - if you know Roman this will be no surprise - about life. Most of the time when I paint miniatures, I will paint my own figures that I sculpted and 3D printed at home. I usually try to paint them as realistically as possible, like this burgundy snail I made a while ago:


A hand holding a realistic sculpture of a burgundy snail




It has been an amazing journey so far, and I’m looking forward to improving my painting skills and learn many a new thing from my wonderful jungle family! And maybe one of these days I will actually finish one of the miniatures that I have parked at Roman's studio!


Thank you so much for having me!







The Judge, the Diva and the Taskmaster - the impact of inner conflict on creative work

by Hansrainer

Hello jungle people,

this is Hansrainer with a little article on the inner conflicts that block us from doing what we think we actually want or think we should actually want to do. I have been struggling with creating in quite a while - and I know that this struggle is not uncommon. Creation and creativity take time and energy - and in a busy life balancing family, job, pet and the increasing need to take care of ones health as the years pass - those seem to become more and more sparse ressources.

Last year I realized, that I had really let my health slide in dramatic ways and that I needed to focus on that, because frankly the issues that came with being overweight and the complete lack of exercise started to catch up and affect pretty much every aspect of my life: Family, work and not the least: painting, writing etc. in other words: creating.

Now, I could just spew a few platitudes like "healthy mind - healthy body" or vice versa and so on, but that is common knowledge and stating the obvious is rarely helpful. Instead I will try to share some of the more detailed and intricate insights I gained during the last years, that helped me get at least on the way to this better place. One of the major reasons why I stopped creating more or less completely, unless I was partaking in a painting class or other event like the MV family gathering in June, is that I felt/feel like I don't have the time or energy to do so.

In the last year, I changed Jobs, worked on my eating habits and lost a considerable amount of weight. I also started to get into the habit of meditation and going to the gym quite regularly. In order to do so and keep it up (to a certain degree - we all fail again and again...) I had to learn a lot about creating, forming and maintaining habits as well as breaking others. I also had to learn to become more aware or conscious about how I feel in a given moment, in the beginning to just understand when and why I want to eat, but also to understand what I can do to stick with things, which thoughts allow me to slack off and which thoughts and situations make it easier to stick with the new routine and so on.

This gets me to the core of thoughts for today:

One of the very first things I put my mind to, was to understand why I find/make the time for certain activities and not others, to identify the factors:

1. Priorities: I realized, that the usual "I don't have the time to..." argument is in and by itself rather pointless: Other people with jobs and children work out too, other people with busy lives find the time not only to paint but to actually thrive artistically and create wonderful pieces in amazing quality with impressive regularity. The reason why some people chose to spend their time one way and not another is conflicting priorities: It seems I'd much rather sit on my butt watching reels on FB instead of sitting at my laptop and write an article. I'd rather spend time with my son instead of painting my next bust.See what I did here? Putting a seemingly bad and an obvious good choice right next to each other? That lead me to

2. Choices: and accepting the result: From dealing with my aging mom and raising my young son I learned: You always have a choice what to do. Common logic dictates that making the choice is hard. But it is not. The hard part is learning to accept the consequences of the choices we make and that wishes are most often the desire to get to the outcome of a choice without having to endure the consequences. Fighting the inner fight and enduring the struggle between the wishes you have and the acceptance of the price and inner negotiations to get around that can take up a lot of time and energy. And very easily we are prone to skipping lanes completely and jump into avoidance behaviours so we can ignore and suppress the open:

3. Inner conflict: Once we understand and accept, that being unhappy is the result of an inner conflict, we can start working towards mediating and solving it. Because ultimately all these struggles are conflicts for ressources, two (or more) parts of yourself are struggling with each other for limited ressources: Time, Attention, Energy. If you can identify the parts of you that are conflicting and their goals, you can literally start to mediate and mollify them - but before that gets to abstract, let me try to give an example:

Situation: Its sunday morning and I know I should be writing a blog post for MV. But...

Breakdown:

There are several reasons, why I think I should be doing this (Consider: Thoughts are just thoughts and neither facts nor the truth) :

    • One part of me likes to expose myself to the public and let the world partake in my insights (and a vain part of me hopes for acclamation and positive feedback to confirm my self-image of being smart and thoughtful). This is the same part that also drives me to publish pictures of my models on social media, where they are tied to my Name instead of just showing the anonymously at shows etc. Lets call it the Diva.
    • Another part of me thinks that writing down my thoughts on this subject will help me to structure and clarify them for myself and my own development. Thats the part that knows that applying my own intellect to my problems can help me overcome them and feel better tomorrow. Lets call it the Analyst.
    • Yet nother part of me thinks: Hey, these thoughts might be valuable to others, haven't read anything similar in this context, so lets share it and may it can help others on their way. That's the Teacher in me.
    • Yet another part remembers, that I promised to write an article for MV until next week and is committed to get it done. This is the part the exerts the most pressure overall to sit down NOW and do it. "don't be unreliable!", "stick with your commitments to others!" - lets call it the Taskmaster.

And now come the reasons why chose to sit another hour at my cell and watch FB-Reels instead of working on the article:

    • There is a part in me that is afraid, that writing the article will take too much time and I will not be able to fullfil other at least equally important commitments and so its better if I don't even start. This guy is the Hesitant.
    • Another part of me is worried that no-one is in the least interested to read this and it is a big waste of time anyways. And also everyone else on the team has better articles and more reasons to publish than I do - given that I am a mediocre painter at best and have no credentials to make my other thoughts worth of attention. Lets call it the Judge.
    • And last but definitely not least is the part that doesn't want to be told what to do! After all its MY time and I don't want to clean up my room - err, do my homework, ahm I mean write that article. It's a rather petulant Boy - I guess he is around 9 years old.

Analysis:

Well, at the first glimpse this looks like I could have a multiple personality disorder, but of course, that's not the case. The idea of an inner multitude is actually part of many schools of psychotherapy and is a common model used to explain and resolve inner conflicts (yeah, I had to read up on that ;) ). All in all, what we do have is quite a conflict thats raging in me and as it often happens, an ongoing conflict paralyses pretty much everyone involved: In my case thats my creative parts (Diva, Teacher, Taskmaster) as well as my analytical parts (Hesitant, Analyst and Judge) and even the more laid back Boy (which lets me enjoy Ice cream usually or just cuddling with my dog etc). BUT - now that I thought it through, I (the Adult-Me) can actually step in and start mediating the conflict:

Solution:

I tell the Hesitant, that while this might be true, getting something done, even something less important but maybe more urgent frees up ressources later for the important stuff. Staying in the struggle only makes the overall situation worse.

The Judge can grudgingly accept, that after all I don't JUST do this for the Diva - and even if the Diva doesn't get, what the Diva wants, the Analyst and maybe the Teacher still get to profit. In other words: If I do it for me, its worth doing it.

I embrace the Boy and tell him that the Taskmaster doesn't just command him around for the sake of it. There will be benefits later - and hey, we might go and get some icecream when it's done.

Thusly I can restore balance between my inner critics and drivers. (By the way, the different actors take different roles in different contests and their individual strength seems to vary by the day). And that creates:

4. Resolution:

Today the resolution was, that this article has been written. On other days the resolution is that stuff is not being done. Sometimes the Judge wins and sometimes the Boy wants what he wants and the Taskmaster may be fine with it. The more important part is that the resolution restores my inner peace for the time being. I can be at ease and really accept the consequence of my choice. Because it has been deliberated and the conflict is transparent and resolved to me.

I think oftentimes the struggle to get going on a project or "just doing it" is a short, sometimes forced version of solving similar conflicts and when we try to "Discipline" or "Motivate" THROUGH it, it's like slogging through mud while the inner conflict rages in the background. For me solving it either way saves energy and makes it easier to do things - or to honestly enjoy the junk time if I take it. And of course, this is an ongoing development. Sometimes I succeed at visiualizing and resolving and sometimes I need my wife or my friends to point out that there is an inner conflict at all.

Soooo - what could you take home from this?

Information:

1. Blocks and Stagnation are often the results of unresolved inner conflicts of priority. If they were resolved there wouldn't be a block - we would just elect to not pursue the topic for now or just do it.

2. The causes and agency of inner conflicts are often not transparent on first sight. Sometimes we do not even realise the existence of the conflict.

3. Our personality can be (and is often) represented by a multitude of parts. Going into the details and specifica of this is unfortunately far beyond the scope of this article - I can provide some pointers into academic reading (or at least starting points) on the topic - but unfortunately solely in German - hit me at the mail adress given below. Suffice to say: Usually these aspects are a natural part of the psychological development of a human and usually serve to protect and guide us in unclear environments (much like biases, prejudices) or (more often) did so in the past. For example my Judge is a representation of how I perceived my mom when I was around the age 9-11. Its function was to avoid conflicts with her by preemptively anticipating conflict topics and preventing me from disappointment by lowering expectations. Naturally the attempt of a 9 year old trying to avoid negative feedback from his parents isn't necessarily a helpful way for a 45 year old professional to deal with the world... :D

Method:

Disclaimer: I am not a psychologist or mental health professional. The following is not recommended as method for self-therapy. If you know of or consider being affected by a mental health condition, please see a professional mental health specialist.

Next time you face a struggle of avoidance, try to take a quiet minute with yourself. Try to determine if you feel an inner conflict. Verbalize it (write it down, talk to yourself, whatever works for you). Sometimes this can already be enough to make it transparent and make a more conscious decision. Accept this choice and the consequences - it often helps to verbalize this as well:

e.g."I don't want to paint now, because I prefer the immediate positive feedback from playing a game. I am fine/happy with the fact that my project X is not moving forward/is delayed."

If this not sufficient to feel more at peace, you might try to feel the emotions tied to the struggle: Fear, Anger, Anxiety or whatever else. Imagine the parts of yourself that feel these emotions. Verbalize acknowledgement of the struggle and conflict and engage in a discussion solution. Sometimes you might just need to comfort your inner child...

Conclusion:

This is a tool I found and use. I hope it might be interesting to explore for some of you struggling with similar issues.

Initially I thought, this would be a one-off article on how I try to get back to create more (and I already changed other things) - but it seems this needs a bit more thinking and space to get through.

Here are some topics I'd like to adress in follow up articles:

  • Quality “me” time vs. junk time
  • Realistic expectations / time inventory
  • A little each day is lot better than a lot once a week

In the meantime, please feel invited to share your thoughts. I would be happy to hear any and all feedback and will gladly answer questions. Please drop them in the comments below – or contact me directly via Facebook or Email (Apokalypsetest - at - gmail - com).