MV Team: Petra

by Petrelka


Name: Petra aka. Petrelka (yes, I listen to both names)

Job: Software developer & engineer (as well as a part-time Quality Assurance person, aka. "automated bug-finder")

Painting: first phase between 1997 and 2001, mainly D&D characters and a having a little look into wargaming; after a longer pause I directly went into display painting around 2015 until now.

Media: mainly acrylics (Scale artist, Kimera, a bit of Mr. Paint, P3, Schmincke and AK), inks by W&N and Liquitex. I am also currently trying out other color mediums, like gouache and aquarelle and trying to figure out how to incorporate them into my painting.

Brushes: Still a Wamp brushes kickstarter and Broken Toad Mk. 2 fangirl, while currently looking for alternatives (Rosemary, DaVinci, Isabey & Miniwarpaint brushes are currently on my table). I use a huge variety of no-name brushes for going wild on bases and doing first sketches, where I don't need to worry a lot for wear & tear of those tools.

Miniatures: I like a lot of things, but it seems to concentrate mostly on fantasy and cyberpunk (looking at my pile of opportunities), no matter if full-body or busts. I am neither an army painter, nor a big fan of over-sexualized content (still waiting for the day when gravity again reigns over boob size gravitation ;)).

Scale models: I don't like to paint and build huge models. So I never really got into the Revell model building scene. But (!) I did build a couple of Star Trek ships (back in the Voyager time), and I fell in love with the complete SeaQuest DSV model line from Monogram (back in the days). And, oh well, I am still looking for the Deep Space Nine model with fiberglass lighting - but that most probably will stay a dream. :)

Sculpting: Ohhh, I have loads of ideas in my head - but ... well ... getting them out is still a bit hard; learning curve and such things are steep. I am dipping my toes into that field as well, but nothing to show yet.

Inspirational Miniature Painters: You? Yes, definitely must be you! (I still find that most of us carry a load of inspiration that just waits to be seen)

Other hobby shenanigans: I occasionally write short stories. I play in a marching band. I actually also paint on other things, like computers, laptops, fridges, brush boxes, entire walls … sometimes even on canvas.

Gallery: putty&paint – most times not up-to_date, but I'm trying :)


Wanna know my color management technique?
It always starts out so well, but then: utter chaos!

The tl;dr:
Hey, my name is Petra and I like to put paint on minis. :)

The long version:
So, who's here for the long introduction? Get something to drink, switch to your comfy pants and here we go! Welcome to the jungle that is also called »my mind«.

My name is Petra, I am located in NRW, Germany and started painting when I was around 15 - a time when I also first encountered D&D with my local writers group (yep, also doing some creative writing every now and then). Everyone of our newly formed D&D group wanted to paint their gaming mini, and this is how it all started.


Morgan le Fay by Thunderbolt Mountain Miniatures was
one of the first miniatures I fell in love with.

Back then I just started with a couple of white metal minis, some Games Workshop stuff (but already found out that I never will be an army painter) and some wonderfully huge LotR dragons by Mithril Miniatures. I really liked the Skaven armies - and then Mordheim appeared; I was super excited because you did not need a whatever-many-points big army and the small skirmish sets also looked like one could paint them in an evening. So, I bought a couple of sets, painted them, but never really found a group to settle with - mainly because tabletop gaming groups were not much sought after in my school days (at least when it came to girls). We did play a lot of Magic, tho. :)


Back in the days when I didn’t know how to take proper pictures
(must have been around 2010 during my painting hiatus); and still my favorite GW miniature:
Aenur, Sword of Twilight (got my first one on the one and only White Dwarf I ever bought).

Then Rackham's Confrontation crossed my way and Warmachine, and whatever my little comic book store could get hold of. So I painted (and all without this thing called Internet) and wondered whether I am just a weird person for having weird hobbies that do not even comply with the "local (male) nerds": I went to creative writing courses for short stories, and we also published a book. During this time I also started making music in a marching band; and never was interested in going to the club or hanging out with other people on weekends. I painted miniatures, read books, and wrote stories. By now I would say: a very regular introvert person (didn't know about that concept back then, though). So, artistry is all over the place, and I choose to ... develop into software engineering. Sounds weird? It absolutely is not - because there also lies a lot of creativity in writing code.


My first one and a pulse check in 2017. There’s a 14-years pause in-between those two minis.

During college, I completely stopped painting, mainly b/c it was too expensive and there were other things to focus on. Fast forward to ~2015, when I rediscovered the hobby, dusted off my Citadel colors (at least some of them had not been completely dried out at that point), took out some still unpainted Mordheim minis and ... uhm ... quickshade (well, it gets the job done!). I found out that there are people on this so-called "Internet" who also like to paint individual miniatures (and not hordes of similar looking marines). I stumbled over Painting Buddha and found my first painting community with lots of chats, and some of these friendships still last until today. By that time, I occasionally stumbled over tutorials by Massive Voodoo, and sometimes saw that they announced painting workshops. But every time something was happening near my place, it was sold out in a flash. So I only watched (and admired) the MV team from afar.


Sometimes I also sculpt a bit.

Let's talk about workshops! I had my first painting workshop ever with Meg Maples in Berlin at the end of 2015, and she helped so wonderfully to reignite the fire for painting that this time I stayed in the hobby. Since then, I also joined a lot of other workshops by a lot of very different and very talented people - because this is how I learn best: seeing magic happen in real life. I aim for one workshop a year to leave my brain some time to digest the information and incorporate it into my painting. It’s a journey with a pace that suits me, and I believe everyone of you will find (or have found) their own best way of learning and speed.

And while we are at pace and speed: going to shows and conventions was also a very new thing for me. 2017 was my first Scale Model Challenge (and since then I regularly join SMC), 2018 I joined Paint-O-Palooza (an event by the former Painting Buddha crew) in Berlin. During the last Duke of Bavaria in 2019 I had the wonderful pleasure to meet a couple of lovingly weird human beings, who not only shared the same nerdy hobby as me, but also kept Massive Voodoo up and running - and by now I can call a lot of them friends. In 2022 I visited my first ever World Model Expo (oh boy, that was huge and awesome!) and traveled to the Monte San Savino Show. And I am so looking forward to finding all those little gems of shows over the next few years!


And yes, I couldn’t be more proud with my little astronaut's entry
on World Model Expo 2022. :)

Pace, speed, journeys ... what else is there? Imagination and creativity! Well, I must admit: I am a rather slow painter - or better said: a very fast idea finder, but super slow in setting those ideas into practice; because there are literally thousands of them that I have on a daily basis. By now I keep a journal to get them out of my head, otherwise I would never even start, as the next crazy idea is around the corner and just a glimpse away. Some of my friends also call me a "hobby butterfly", as I start things and then put them aside in favour of other projects. I guess that's just how I roll, and having a clear vision from start to finish line ... is just not one thing I normally follow. I don't just want to "paint it like the box art", but aiming for telling a story, to do a crossover between two mostly unrelated topics maybe, or want to try out a new concept that I thought about. Honestly, the thing never comes out the way I imagined it - but that's also the fun part: having a plan, throwing the plan away in the middle of making, and after finishing then analyzing what I have learned. It takes super-long in comparison to other ways of painting and planning a project, but then again I enjoy the process more than the finished result. This is also why I have a ton of half painted miniatures in various degrees of progress sitting on my shelf, but seldom finish them. But then again, maybe this is why I am also here? :)


A favourite color!? ALL OF THEM!

I also don't have a "favorite" color - it seems like I unconsciously try to use all of them in every piece I paint. So, one of my "new years" resolutions for each mini actually sounds a bit like "but this time I try to reduce my color palette for real!". Maybe one day I can make this come true, but today ... is not that day!

And with all of this said and written down, I hope you are still awake enough to be able to get some more colors onto your gray army, because:


You should be painting! (j/k)
But honestly: no pressure!
Foster that happy painting spirit. :-*

FIN: Moran

by David

Hey all,


David's back again with another look back to an older project I finished a long time ago and only ever hit the blog in my introduction post. However, I decided I needed to show it here for two reasons. First, my jungle brother Roman took a few nice new pics during the Massive Voodoo family's recent stay at the studio (read all about that wonderful weekend in this blogpost).

Second, this is one of my dearest and most important projects. I started it during Roman's Advanced Class in early 2016 (YES, it's been that long...). The workshop's goal was to learn how to paint atmosphere, and I wanted to challenge myself and aimed to portray the original dwarf maiden as a "Massai" warrioress called Moran (the Massai word for warrior). The conversion included making her a new weapon, cutting her mohawk, and - of course - creating the typical Massai necklace.

After the workshop, as is usual for me, I did not immediately finish her, but put her into my cabinet. However, I still very much liked her and decided I would take her out again, start all over and prepare her for the Herzog von Bayern competition 2017. And that's what I did.

As I said, Moran has a special place in my heart as not only did I learn so much from her, and not only was it pure pleasure to paint and convert her - it was also the first time that I participated in the "masters" category in a competition. And because it is so special to me, I gave it to my jungle brother Roman, as a little "thank you" for the many years and moments of inspiration, learning and painting joy! It makes me proud to know that Moran has a special place in your cabinet!

Thanks for your interest, talk to you soon. Best,

D.



p.s.: the project (with the old pics) is also on Putty & Paint if you feel like voting :-)

FIN: Night Shift

by David

Ladies and gentlemen,


it's David again with another look back to a little 1/72 vignette I finished a long time ago but haven't shown on the blog. The reason I'm showing it now is that my jungle brother Roman took a few nice new pics during the Massive Voodoo family's recent stay at the studio (read all about that wonderful weekend in this blogpost).

The vignette is based on a 1990s US mechanized infantry soldier from Zvezda. Since I wanted to build a night scene, I scratch-built the night-vision goggles from polystyrene sheet and rods.

The whole project was built and painted for a project exchange with my friend Peter Müller (Yoshi), who loves Zombie and Post-Apocalypse themes. So, I built this little tongue-in-cheek scene which is seen through a night-vision gadget, showing a soldier on his night shift guarding an internment camp where zombies are held in containment. I envision the guy just shouting orders to stay back to a bunch of pro-Zombie protesters approaching the fence shouting slogans like: "Tell 'ole Pharaoh: Let the Zombies go!", and "Zombies are people too!"

Thanks for your interest, talk to you soon. Best,

D.

p.s.: the project (with the old pics) is also on Putty & Paint if you feel like voting :-)

FIN: Ataraxia

by David

Hey all,


it's David once again with a glimpse into the past... and a look at a project I finished some time ago. Today, I want to show you a little vignette that I created for a good friend of mine who is a retired teacher of Latin, History and Classics. It depicts his favorite Greek philosopher, Epicurus of Samos, who proposed the beautiful idea of striving for a good and fulfilled yet simple life. Ataraxia is a core term of this philosophy, describing a state of mind of tranquility, peace and freedom from what today we would call stress.
The little vignette imagines Epicurus standing in his garden, enjoying the rays of the beautiful Mediterranean sun and being in a blissful state of Ataraxia.
I am super happy to say that my friend really liked the miniature and that it has found its place in a beautiful spot of honor in my friend's house. Thanks for your interest. Talk to you soon! Best,

D.


p.s.: The project is on Putty & Paint, if you feel like leaving a vote.

FIN: David's first ever Space Marine

by David

Hey all,


today, I am excited to share with you a very special project: my very first Space Marine! You read that right - after almost a dozen years of painting minis, I've never laid my hands on a space marine. But during our recent MASSIVE VOODOO family meeting (follow this link for a comprehensive report on that fantastic weekend), my jungle brothers Roman and Hansrainer decided it was high time to change that - and that they would support me by also painting one. But, knowing my preference for "smallish" minis, they agreed that we each painted a marine in the old WH Epic, that is 6 mm, scale.
And that's exactly what we did. As I have never entered the Warhammer Universe before, I needed some support deciding on a fitting color scheme, and with the help of Andy, I ended up painting my tiny marine as one of the Black Templars - which is a nice little nod to my preference for historical minis and my interest in the medieval Crusades and the religious military orders.
It was great fun to paint my first little marine, and it will surely not be my last. Looking into my imaginary crystal ball, I might see a little vignette in the future - maybe with a 40k-interpretation of the historical military order of St. Lazarus... :-D Of course, in 6 mm scale!
The three 6mm marines in all their tiny glory - from left to right: Roman's, my own, and Hansrainer's project.
In any case, I will let you know how that goes. In the meantime, all best and take care!

D.

REVIEW: "How to paint miniatures for War Games" by Rubén Torregosa, Published by Ammo by MIG Jimenez

by Hansrainer

Hello and Welcome to my next Massive Voodoo review, 

today I will give you my view on the new book "How to paint miniatures for War Games" from Ammo by MIG Jimenez


For me, army painting is a very special topic/sub-genre in the miniature painting hobby, one where it all started for me and whenever life gets busier (family, work…) this is the field I return to, when I feel like I need a place where I can feel safe and some measure of success is ensured. There is a certain Zen-level attached to cranking out minis, grinding through a heap of work and I can reach a deep feeling of satisfaction, when an army comes together on a table (or my showcase) painted for the first time.

Having said that, there is not that much literature on this specific area out there (apart from the books by the big British elephant in the room) and so I was really pleased when I was given the opportunity to take a look at this book. 

Full disclosure first: I was given a review copy by the publisher and did not buy it with my own money. 

But now, without further ado: let's get down to business: 

The Basics: 
How to paint miniatures for War Games has the same high quality paper, cover and production values which have become the standard for books by Ammo. It consists of 168 full color pages, is unsurprisingly richly illustrated and clocks in at a recommended resales prices of 34.95€. Its available in English, French and Spanish and my review is based on the English language version. It is an ensemble product, with content provided by several authors, all of them accomplished painters and hobbyists in their own right. Main editing credits go to Rubén Torregros, who also wrote the general part. 

The book is broken up into two major parts: A more general section providing an introduction, a section on tools and preparation, a number of painting techniques and section on how to create bases for the miniatures. This part takes up just a bit more than a third of the overall volume. The second part, entitled as "Masterclasses", then uses the remaining 100 pages to go through seven example projects, where specific artists basically employ and combine the various techniques from the first part of the book to create very nice looking armies.
After reading a book cover to cover, I usually like to break up my reviews into three parts: Talking about the good, the bad and my ugly opinion about the product as a whole. So let's dive in: 

The Good:
How to paint miniatures for War Games is a great entry point into painting miniatures for war games - this sounds a bit silly, but I think it's very important to stress the point, that this book fills a niche usually reserved for the products of a large British company. The book addresses all the basics: From the tools, to types of paints, brushes and the preparation of the models, every important basic topic for miniature painters is covered. Obviously, the example tools and paints in the illustrations are the Ammo variety as far as available. The preparation ends of course - with  priming the assembled miniatures. 

The chapter on painting techniques starts with a quick rundown on color theory. There are some really valuable tips in there, but don't expect it to go into all that much depth. It then spends a page on brush handling and care, a page on thinning and consistency of paint and finally dives into basic painting techniques, like color blocking, dry brushing, washing, wet blending and layering. 
This part is a bit confusing to the more experienced painter, as some content here is redundant, even within this book. However, I do believe the sequence of  explaining and introducing certain techniques might provide a better entry point for a beginner, without swamping the reader with details. After the basic techniques we get an introduction into basic weathering techniques, a good way to make up for inconsistencies during the actual paintjob. 
Finally there is a short chapter on creating interesting and easy bases for the models. 

What I actually really liked here is the limitation to basic and mostly easy techniques, as well as the consideration of and examples for simplifications - abandoning realism and detail for effect at times. Sometimes good enough is just good enough. Rubén also goes into some details about the effects of scale on the viewers perception. Overall, I would have loved to have the impact of playing with the audiences perception playing a bigger role and being covered in more detail. 

From there on out, its Masterclasses:


 Masterclass here means: We get an in depth, step-by-step overview of a specific project painted by an experienced painter. This is in my opinion the part where the book begins to shine and where it starts to really deliver. The different projects all use and refer different techniques presented in the first section of the book - but now they are placed into a context. The authors do not only convey the "how" of the painting process, (something for which I personally consider videos oftentimes more helpful than books - but that's a different discussion) but they explain the "why" of the decision for or against a specific technique. Be it the quite quick and high contrast painting of 15mm DAK Artillery, or my personal favorite, the Droid Infantry project by Omar Olabi. Omar employs techniques like Enamel washes in a really simple and effective way to create a great looking Star Wars Droid Army with just a handful of steps. Other masterclasses, like the Spanish Tercios in 15 mm are a bit more off-course for my taste, as the elaborate techniques presented here will likely lead to much longer painting times, increasing the chances for frustration in the novice painter. 



The Bad: 
Assuming How to paint miniatures for War Games is addressed to beginners in the hobby world, I would have generally preferred it to spend a bit more time on the basics of preparation up to priming. While the book does a good job addressing all the basic points, it really falls short when it comes to pitfalls and mistakes to avoid. To illustrate this, I'd wish the authors would have spent a paragraph or two on the challenges of priming. At least a few words on preferable temperature/humidity conditions for can priming could have been really helpful for the beginner. 
In general, I was a bit sad that the book didn't even touch on topics such as overall visual composition of an army on the table, or the fact that the sheer number of models and viewing distance often makes painting armies more forgiving. 
It also does not really delve into paint project organization: How do I decide what quality I want to paint? How do I factor my available time in or what my expectations are, when the project is to be finished and so on. Admittedly, these are topics rarely, if ever, touched by books about miniature painting, but that would have been a chance for this book to stand out. Even though, it is a good alternative to the increasingly hard to get books on the topics from said big company. 


The Ugly Opionion (tl,dr): 
How to paint miniatures for War Games by Ammo is a good book for the beginning army painter. It touches all the basic topics required to tackle, when someone wants to get a miniature army ready for the battle field. It gives a good introduction in and overview of techniques and methods commonly employed for painting gaming miniatures and provides practical examples and ideas what to employ when and why. For the experienced painter, the section with the masterclasses will be far more interesting and helpful. And while I think it's a good book, I am a bit saddened due to the missed opportunities in this case. - Maybe thats something worth writing about in a blog post for the future.

I would love to hear your thoughts on it as well.

FIN: Otto I "the Child"

by David

Hey all,


I am happy to show you some pics of a project I finished a year ago - but for which I only now have some nice pics, thanks to my brother Roman who took them during a recent stay of the MASSIVE VOODOO family at his study (check this link for a comprehensive report on that fantastic weekend!!!).
The vignette shows Duke Otto I of Brunswick-Lüneburg (ca. 1204 – 9 June 1252) during the Battle of Bornhöved in which an army of the Northern German Hanseatic League fought against the troops of the Danish king Valdemar II and his German allies. The Hanseatic forces took victory, allegedly supported by a miracle of St Mary Magdalene, and Otto, who had allied with the Danish, was taken prisoner. I imagine the scene showing the moment when Otto realized his defeat, briefly before being taken hostage.
The project is part of my long-term "series" of miniatures, vignettes and small dioramas centered on personalities and scenes from the Hanseatic League, which I started when I moved to Hamburg in 2018. Check the links if you like to see a few more: Knight of Lübeck, Teutonic Knight, Fisherman at Visby. A few more are yet to come...

Thanks for your interest. Talk to you soon! Best,

D.


p.s.: Otto is also up at Putty & Paint, if you feel like voting...